people: Daniel Shanken

Welcome to Daniel Shanken’s lecture on How AI Development Impacts Artistic Practice. The rapid advancements in AI present new challenges and choices for artistic methods. This lecture explores how artists can harness the potential of this new technology without being consumed by it.

Daniel Shanken is an artist and UmArts WASP-HS Art and AI Postdoctoral Research Fellow at the Umeå School of Architecture, Umeå University. This lecture is held in conjunction with the exhibition Alexandra Daisy Ginsberg / Machine Auguries, currently on display at Bildmuseet.

Free Admission
Limited Seats
Language: English

We are proud to announce our post-doc Daniel Shanken’s installation at Chemist Gallery in London. The Pits is a new installation that descends through tiers and levels: the pit in your stomach, in the ground, and your brain. It uses eating as a crux, imagining the digestion, assimilation, offloading, and onboarding that occur when giving yourself to be devoured by technologies or entities with their own agency and agendas. The work shifts between different perspectives—human, non-human, pizza box, and microwave—exploring the pleasure and horror of willingly opting in and zoning out.

Read more about it at the Chemist Gallery website. https://chemistgallery.com/Daniel-1

For this session we will follow up the interesting conversations that started at the Umeå Academy of Fine Arts’ research seminar a couple of weeks ago where Dr. Malin Arnell did a super enlightening presentation of her Phd on the topic of Why do we engage with artistic research. That same day a debate article Statstrogna konstnärer utan publik- Statens växande satsning på högskoleanknuten konstnärlig forskning riskerar att beröva konsten både dess lockelse och dess frihet came out in the journal Respons by Lyra Ekström Lindbäck taking the lead in the questione whether artistic research is important at all? 

Let´s get together and talk more about this burning topic. UmArts Deputy Director Ylva Fernaeus, Associate Professor at Umeå Institute of Design will lead the conversation.  

Um…Crits is open to everyone in the UmArts community- Researchers, teachers and freelance artists. Interested in joining this session? Let us know if you are coming by sending an email to clara.west@umu.se 

UmArts is leading research in Art, Architecture, Design and Artificial Intelligence (AI) at Umeå University in partnership with the Wallenberg AI, Autonomous Systems and Software Program – Humanities and Society (WASP-HS) and Umeå University’s Centre for Transdisciplinary AI (TAIGA). In 2023, curator Sarah Cook joined UmArts as the WASP-HS Guest Professor in Art and AI in partnership with Bildmuseet, Umeå School of Architecture (UMA), and Umeå Institute of Design (UID).

The Art and AI working is a group is chaired by Guest Professor Sarah Cook, and includes UmArts postdocs, mentors and artists in residence who are working with AI to share their research and develop new collaborative projects. The group considers how arts research can contribute to the social and ethical discourses of AI and machine learning, working in partnership with museums and galleries, artists and curators. The programme critically interrogates the aesthetics and politics of AI, collaborating with, and challenging the algorithmic logic underpinning hardware and software development. We are interested in how creative encounters can allow publics to experience and engage with the ethical considerations and societal shifts that widespread use of AI will bring and feeding that back into AI development.

The Octopus Club

The Octopus Club is open to all. It is a book club to close-read texts, artworks and films which investigate distributed intelligence and networked knowledge. Please email Emelie El-Habta UmArts Research Co-ordinator you would like to join.

The next text is ‘The Maniac’  by Benjamín Labatut about the life of John von Neumann nominated by Dimitri. This is contrasted with ‘Klara and the Bomb’ by artist Crystal Bennes, about Klara von Neumann who was married to John, nominated by Ele. This comparison will provide an interesting insight into the history of computing and AI from biographical and feminist artistic perspectives. We will have a short discussion about the books with tea and biscuits after the working group meeting and find a date for a full discussion in March/April. (Some of us are also reading Kazuo Ishiguro’s ‘Klara and the Sun’ for the full trio of titles!) next meeting to be confirmed for March.